Plug-ins with higher latency are no longer audible on the monitoring path. Only plug-ins that add less than 3ms latency to the audio path can be used in the software low-latency monitoring signal chain. You need to keep in mind that different plug-ins have different latencies. Low-latency monitoring still needs to be activated by clicking the “Z” button on the respective output channel(s).Ĭan I use all my plug-ins in the low-latency software monitoring path? The mode is set in the Audio>Processing preferences panel (“Use native low latency monitoring instead of onboard DSP”). Blue stands for low-latency hardware monitoring, Green for low-latency software monitoring. In the Studio One mixer, a small “Z” at the bottom of the output channel fader indicates the availability and type of monitoring.
How do I know the difference between hardware (DSP) monitoring and software (native) monitoring?
However, if your recording and production setup and environment changes, it may make sense to adjust audio processing settings. Ideally, you only need to set these parameters once to find the best settings for your specific system. So, while it’s possible to load more plug-ins and virtual instruments, the CPU and processing limits are still set by the available CPU performance, quality of drivers and audio I/O hardware used.ĭo I need to adjust the Audio Processing Setup for every new song or recording session?Īudio Processing Setup parameters are globally stored. While overall CPU load and likelihood of audio dropouts are significantly reduced, the total amount of data that needs to be processed is still the same. With Dropout Protection set to “Minimum” and low latency monitoring for instruments unchecked, the audio engine works nearly the same as before but with added stability.īasically, yes. With Studio One 3.5 the user has control over multiple latency levels: standard-latency audio processing, independent Dropout Protection to avoid audio dropouts and low-latency monitoring for virtual instruments.
No, it’s an extension to the original audio engine but it doesn’t replace it. Does the new latency management replace the original audio engine?
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